Renegade artists that attract attention, such as Weil and photographer Umida Ahmedova, have problems. But in the following years the development of two great centers of progressive art was allowed: the collection of lost art of the thirties by Igor Savitsky, hidden in the Savitsky Museum of Nukus, and the stories of the life of the legendary Ilkhom theater of the ill-fated Mark Weil, in Tashkent.Ĭontemporary art, like the media, is under the strict control of the Government. Traditional art, music and architecture were preserved as gold cloth after the Soviet creation of the Uzbekistan RSS.
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